Author, and Associate Editor of Witch House magazine, Chase A. Folmar joins Oliver to discuss his upcoming sword & sorcery novella, Frolic on the Amaranthyn.
Chase and Oliver discuss his sword & sorcery and creative writing origin story, that sweet spot of horror and action, mood and plot, finding your voice as an author, the importance of reading outside the genre you write most, elevator pitching, writing a story centered on an established romantic couple, finding that right combination of the unique and the familiar, beauty & horror and the uncanny valley, the Decadent Movement, good old civilization vs barbarism, what do morals mean at the absolute end of time, why Frolic is not a novella and not a short story or a full length novel, 500 page fantasy door wedges, the strengths of the novella format, the benefits of constraining your writing, the singular focus and very personal stakes of sword & sorcery, Robert E. Howard’s The Hour of the Dragon, the problem with the world always ending, scifi as the literature of ideas and fantasy as the literature of settings, weaving the world of a story into the action of the plot, how audiences are about as genre savvy as they’ve ever been in human history, how long it took to make the novella a reality, the joy and frustration of editing, beta readers and feedback, use of language and accessibility vs trying to create the sense of entering another world, Branden Sanderson (who I keep calling “Brian”…) and that big ol’ Kickstarter of his, heavy metal and sword & sorcery, broad appeal vs niche interest, defining success on your own terms, trends in cover art, literally judging a book by its cover and how that’s a pretty fair thing to do when looking at self-published work, Ballantine Fantasy covers, and more.
Frolic on the Amaranthyn is available in ebook and softcover from Amazon
Sable Star Press Facebook Group
Chase’s author site
Goran Gligovic – cover artist for Frolic
Witch House magazine